Co-Founder and Artistic Director, Resident Choreographer
Founded by former National Ballet of Canada dancer and renowned choreographer Roberto Campanella, ProArteDanza is a new, unique, visionary dance company, created to showcase the best choreographers and dancers from both ballet and modern dance backgrounds. The fusion of two such diverse disciplines celebrates the vibrant potency of both and demonstrates that choreography can bridge the common divide between each art form.
Through its unique fusion of ballet and modern dance, ProArteDanza offers established dancers the opportunity to continue to share their artistry and inspire younger artists by providing a platform that crosses the boundaries of technical skill and artistic expression. Mixing generations, disciplines and artistic visions allows the company to build a new, cohesive and inclusive world for many dancers, and to develop audiences for both ballet and modern dance.
Associate Director, Resident Choreographer
Upon graduation from Bytom State Ballet School in Poland, Robert Glumbek joined The Great Theatre of Opera and Ballet in Warsaw as a soloist where he worked with choreographers including John Neumeier, Maurice Bejart, Hans Van Manen, John Butler, and Constantine Siergiejew. In 1987, Glumbek came to Canada and worked for a variety of companies – including Theatre Ballet of Canada in Ottawa with Larry Gradus, the Judith Marcuse Company in Vancouver, and Myth Productions with Learie Mc Nicolls – before dancing with Desrosiers Dance Theatre from 1990 – 2000 where he was instrumental in the creation of many roles.
Robert worked with the Mannheim Ballett as dancer and ballet master from 2002 to 2004 and then returned to Canada in 2004 to work as an independent artist and choreographer. Glumbek has appeared in works independently, most notably: Greece’s 1998 Gala des Etoiles festival with Karen Kain, directed by Dominique Dumais; the role of Mars, Canadian Opera Company’s 2001 production of Venus and Adonis, choreographed by Serge Bennathan; and 32 Silver Pieces, DanceMakers, choreographed by Marie Josee Cartier (Dora winner). Robert has worked with choreographers: Kevin O’Day, Bill James, Peter Chin, Michael Downing (Dancefront), Dominique Dumais, Christopher House, Serge Bennathan, Holly Small, Learie McNicolls, Tedd Robinson. Robert’s first creations as co-choreographer with Roberto Campanella (pre-ProArteDanza) include: Nothing Twice, inspired by poet Nobel winner Szymborska; and the first incarnation of Nine Sentiments with poetry read by Michael Ondaatje, which became the catalyst for forming ProArteDanza.
Robert became Associate Director of ProArteDanza in 2004 where he has since created a number of acclaimed original works. Robert has also created works for Mannheim Ballett, princess productions, Toronto Dance Theatre, Hamilton Conservatory for the Arts, CCDT, Arts Umbrella, Ryerson University and York University. He was a finalist in the Hanover Choreographic Competition and in the Stuttgart Choreographic Competition, is a recipient of the Now Magazine award for Best Dancer of the Year (2006), and has been honoured with both the K.M. Hunter Artist Award and the Clifford E. Lee Choreography Award. Robert is a four-time Dora Mavor Moore nominee, and was the co-recipient with Roberto Campanella for their choreography of … in between … in 2010. Robert created three new works in 2013: a full-length work, Casanova (UA), for Mannheim Ballet; the co-creation Four Season with Kevin O’Day; Once Upon A Time for Szczecin Ballet in Poland for which Robert was presented the Jon Jiepura award for best choreographer in Poland.